Dr. Richard Shiff offers a thoughtful look at Richard Serra’s prints, which the artist considered to be a method of re-seeing his finished sculptures.
Richard Shiff Biography
Richard Shiff is Effie Marie Cain Regents Chair in Art at The University of Texas at Austin, where he directs the Center for the Study of Modernism. His broad range of publications includes Cézanne and the End of Impressionism (1984), Critical Terms for Art History (co-edited, 1996, 2003), Barnett Newman: A Catalogue Raisonné (co-authored, 2004), Doubt (2008), Between Sense and de Kooning (2011), and Ellsworth Kelly: New York Drawings 1954-1962 (2014). He writes frequently on sculptural practices, including the art of Joel Shapiro and Donald Judd, as well as that of Richard Serra.
Presenting Sponsor: Martha and Max Wells
The 360 videography project is supported by Suzanne and Ansel Aberly: this support enables digital recording of all 360 Speaker Series programs and the creation of an online archive for learners of all ages.
Additional support for 360 Speaker Series provided by Sylvia Hougland.